Founded in the 11th century by the Ubaldini prior (of the feudatory family of Mugello), this convent is one of the most ancient in the whole Tuscany.
In the 15th century Cosimo de’ Medici decided to rebuilt it, and the architect is once again Michelozzo (the same of the villas of Trebbio and Cafaggiolo, and also of Palazzo Vecchio and Palazzo Medici).

As with Cafaggiolo and the Trebbio Castle, the architectural structure of the convent unites the characteristics of the innovative Renaissance experience with those of the medieval one. Therefore, ribs, vaults and cornices, clearly late Gothic elements, were left in the building of the choir, while the new architectural lines of Renaissance were used to construct the cloister, the cenacle and the Monks' cells.
Early members of the Medici family left the convent many precious gifts, among which we find the beautiful wooden crucifix by Donatello. Today it’s preserved in the small sacred art museum beside the convent.

In the convent still lives Franciscan friars, so the opening hours are very limited to respect them. The convent is opened just in the weekend, from 11.45 to 12.30 and from 18.00 to 18.45.

You can find all the details about my daytrip in Mugello in this post!

inside the church

the altar of the church

the entrance to the convent of Bosco ai Frati
the small cloyster of Bosco ai Frati

the water well in the cloyster of Bosco ai Frati

the mini-van of the Franciscan friars of Bosco ai Frati :-)

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The church of Sant’Agata is in the heart of a small old town, Sant’Agata, near Scarperia, in the Mugello. The church is really ancient, surely existing before 984, and it’s a wonderful Romanesque building.
It’s a small and simple church, but so beautiful… inside there’s a nice marble baptismal font of XII century and a wonderful wooden Christ by Francesco di Simone Ferrucci, realized in the XV century.
Also the small town of Sant’Agata is really nice, a typical medieval borough in a wonderful landscape.

Go there and have a walk in the narrow streets, you’ll feel like going back in time.

You can see the tour of my daytrip in Mugello in this post!

the small cloyster of the church

the baptismal font of XII century, church of Sant'Agata, Mugello

the entrance of the church of Sant'Agata

the bell tower of the church of Sant'Agata, Mugello

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Last week I decided to spend a Sunday in Mugello, a wonderful corner of tuscan countryside, rich in nature, art and history, just a few kilometres away from Florence.
Mugello was dominated by Etruscan first, then by Romans. In the middle ages was territory of the Guidi and Ubaldini families, whose fought Florence. Then from 1300 the Mugello became an important area for Florence, because of its strategic and economic importance.
Several important buildings and fortresses, castles, villas, monasteries and palaces still bear witness to this important period of growth in Mugello. In fact, even the artistic and cultural history of Florence owes much of its development to Mugello: artists such as Giotto and Beato Angelico were born here; important architects worked on the construction of the castles and moreover, the Mugello landscape has provided inspiration for numerous Florentine paintings.

I decided to follow the “Medici Route”, discovering the places where the Medici family lived nad ruled.
The tour starts in Scarperia, which was founded by the town of Florence at the beginning of the 14th century, and still conserves the impressive Palazzo dei Vicari, which was built in the same period but has undergone numerous transformations and restorations throughout the centuries. Palazzo Vicari houses the Museo dei Ferri Taglienti - antique and modern cutlery – as Scarperia is well known for knife handcrafts.
From Scarperia move to the small town of Sant’Agata, where there is a beautiful Romanesque church, the most famous sacred structure in Mugello.
Then visit the Bosco ai Frati Convent, which was built according to Michelozzo’s design, by order of Cosimo dé Medici. Inside, you find the splendid Crucifix by Donatello ( opened only on Saturday and Sunday morning because friars still live here).
Heading towards San Piero a Sieve, you find Villa Medicea of Cafaggiolo, one of the favourite residences of Lorenzo the Magnificent, and a splendid example of Renaissance architecture (visits must be booked). Not far away, towering above you, surrounded by century old cypress trees, you can admire the Trebbio Castle: another magnificent Medici construction (private, visits only in special days).

In the next post I’ll let you know all those wonderful places!

Here's a small useful map of Mugello!

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Here is Piazzale degli Uffizi, the long narrow square surruonded by the Uffizi Gallery. More infos on the Uffizi Museum are in this post :-)

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Other pictures and descripion of Orsanmichele can be found in this post! ;-)

the painting by Bernardo Daddi, "Madonna delle Grazie" and the tabernacle by Orcagna, inside Orsanmichele

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The church of Orsanmichele was originally a loggia that housed a market, built in the second half of XIII century, but soon people came to venerate an image of the Madonna, considered miraculous.
Il the second half of XIV century a fire destroyed both the loggia and the sacred image, so a new loggia was built and a new image of Madonna delle Grazie, painted by Bernardo Daddi was placed.

The arches of the new loggia soon had been closed, the market moved away and the building became a church. It was the church of the Arts, the powerful medieval corporations of Florence.
Inside the church of Orsanmichele the Madonna delle Grazie by Bernardo Daddi is placed inside a wonderful marble tabernacle made by Orcagna in 1349.

Orsanimchele is a little precious gothic jewel inside the heart of Florence, it sure deserve a visit! Entrance is free and some panels give information about the church and the precious paintings and sculptures housed in it.

Other pictures of Orsanmichele can be found in this post! ;-)

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The fountain of Neptune is the first public fountain in Florence, it was completed in 1575 and rise in piazza della Signoria, (read this post about Piazza della Signoria!) just in front of Palazzo Vecchio, in the heart of the public life of Florence.
Some years before, Cosimo I de’ Medici assigned the work to Bartolomeo Ammannati, who realized a big representation of the Florentines dominion over the sea (Cosimo had just founded the seaport of Livorno).


The statue is made of whie Carrara marble and it’ quite big, so the Florentines call him “il Biancone”, that means “the big white”. Under Neptune there are his horses, and then a lot of more bronze statues representing sea gods, satyrs, and marine creatures.
During the years this fountain had bad luck: Florentines never liked it too much, it had been used as a basin for laundry, a satyr had been stolen during 1830 carnival, and had been damaged and vandalized several times.

But Biancone still resist!

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Yesterday I went to Palazzo Strozzi to see the temporary exhibition of contemporary art that is placed in the inner court of the building.
The court is a perfect example of renaissance love for geometry, and is a wonderful frame for contemporary installations of art.
Currently Palazzo Strozzi is also hosting a very interesting exhibition dedicated to Galileo Galilei and the graphic representation of the universe from the classic era to the telescope innovation. ( for more info check the official Palazzo Strozzi Website). http://www.palazzostrozzi.org/

Here are the pictures I took yesterday in the evening!

the inner court of Palazzo Strozzi

the installation of contemporary art in the inner court of Palazzo Strozzi

facade of Palazzo Strozzi

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Yesterday I went to Villa Stibbert to enjoy a walk in the park and to visit the museum... I didn't know how nice and interesting it was until my friend Daniela took me there! Thank you Dany :-)

The villa was once Stibbert's home, and has 57 rooms that exhibit all of Stibbert's collections from all around the world. Frederick Stibbert was a rich heir born in 1836 and grown in England, but lately moved to Florence. He had no need to work so he lived his life collecting objects and turned his house into a museum.

Paintings are displayed throughout every room, including still lifes and portraits. There is also collections of valuable furniture, porcelains, Tuscan crucifixes, Etruscan artifacts, and an outfit worn by Napoleon I.

Sure the most interesting exhibition is the Stibbert's Arms and Armour collection: more of 12.000 pieces of arms and armour from the 15th trough the 19th century, from all over the world: European, Oriental, Japanese, Arab pieces.

In the Cavalcade Room you can admire a large collection of medieval knights on horseback and foot-soldiers dressed with original armours and holding their weapons… that’s impressive! In the Samurai Room there are more than 80 armours and hundreds of swords.

Outside the museum, over the walls of the villa, there is a large collection of stone coats of arms from the most important nobile families from all over Europe.
The museum also contains a small cafe and a bookstore.

The garden of the villa is pretty interesting too, it’s a nice English garden full of strange things and historical quotes, as it was very popular and appreciated in the second half of 1800.
Walking around the park you can find a nice small temple in classical style, with a dome covered with coloured pieces of ceramic, some ponds, a lot of wild vegetation, an elegant “limonaia” (typical rural building used to recover citrus plants like lemons), and even an odd small neo-egyptian temple built on an island in the main pond, with sphinxes, pharaoh statues and a small obelisk.
The paths are curvy and quite wild, and are dotted with statues.
It’s a very curious garden, full of odd things that play with history, geography and cultural quotes, a perfect example of the 800esque ideas of Sublime and Beautiful, typical of Picturesque.

the classical small temple in Stibbert Garden, Florence.

a nice classical terrace in front of Stibbert villa
the limonaia of Stibbert Villa with a wonderful lemon tree in a pot

the weird neo-egyptian temple in the Stibbert Garden in Florence

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